INTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREE
INTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREE
INTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREE
INTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREE
INTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREEINTONAL: The First Hit's FREE
Thursday 23/04Thursday 23/04Thursday 23/04Thursday 23/04Thursday 23/04
Thursday 23/04Thursday 23/04Thursday 23/04Thursday 23/04Thursday 23/04
Thursday 23/04Thursday 23/04Thursday 23/04Thursday 23/04Thursday 23/04
Thursday 23/04Thursday 23/04Thursday 23/04Thursday 23/04Thursday 23/04
Thursday 23/04Thursday 23/04Thursday 23/04Thursday 23/04Thursday 23/04

Thursday 23 April

20:30 - 01:00

on stage: 20:30

Free entry

Age: 18+

At the threshold, before the descent.

Each year, Intonal offers a free entry point—a space to arrive and adjust before the full program unfolds or for the unintiated to get to know what the festival is all about. This year, that beginning stretches across formats: from the open IAC program on Wednesday 22, to Thursday evening in S:t Johannes Church, to something closer to the core.

The First Hit’s Free, Bab-ee is our in-house opening. A place to step in without commitment, whether you’re curious, cautious, or already deep in it. Come to ease into the atmosphere, or to set the tone before the heavier days ahead.

At the centre, Elektron Super Sekvens returns.

A recurring element of the festival, it brings together artists and machines in a live, evolving setup. Led by the Elektron team, this year’s edition moves between structure and improvisation, with each artist shaping the system in real time:

Aho Ssan works with dense, shifting synthesis.

Catenation builds slow, controlled tension.

Iggor Cavalera puts the drumsticks aside and focuses on noise and texture.

Simona Zamboli explores the space between body and machine.

SSTROM leans into repetition and minimalism.

The result is continuous rather than fixed—something that develops over time, with no clear beginning or end.


INTONAL DJs setting the mood.

Come by early or drop in later. Stay as long as you like.

    Aho Ssan

    Aho Ssan is the project of Paris-based artist Niamké Désiré, whose work moves between electronic composition, sound design, and audiovisual practice. His debut album Simulacrum, released through Subtext Recordings, draws on Jean Baudrillard’s writing...

    Catenation (fka Dissonant Witchcraft)

    Catenation is the project of Berlin-based composer Jeanne Artemis, whose work draws from contemporary composition, electronic performance, and a wide range of musical traditions. Her practice began with an early fascination for European modernism and...

    Iggor Cavalera

    Iggor Cavalera first became widely known as the drummer and founding member of the Brazilian band Sepultura, where his powerful and inventive playing helped shape the group’s early sound. Over time his rhythmic language expanded beyond the drum kit,...

    Simona Zamboli

    Simona Zamboli is an Italian electronic musician, DJ, and sound designer based in Milan. With a background in classical and electric guitar, she later moved into electronic production, studying audio engineering and audiovisual composition. Her work...

    SSTROM

    SSTROM is a Swedish electronic artist whose work explores the outer edges of rhythmic electronic music. Across a decade of releases, the project has developed a sound that feels both austere and quietly expressive, where minimal structures hold...